Monday, December 15, 2008

List Of Stores That Have Layaway

Luca Ghielmetti – “Luca Ghielmetti” (CD – Old Times Record OTR005 CD, Italia 2008)


It's really a nice surprise this CD, the third in eighteen years (!) of Como Luca Ghielmetti. Refractory as we always take care of Italian music after the storms of the songwriters of the seventies and scimmiottature new wave eighties and nineties who have approved the scene, you come across an anaphylactic shock - even more rarely, actually - in all-round artists, masters of the composition of the so-called 'new singer-songwriters', poets.

want to trivialize, it may summarily terminate Ghielmetti debt that pays some of the major Italian authors in disseminating their songs tracks of Paolo Conte, slag Fossati, De Andrè best of moods, images disruptive à la Capossela, or find behind the broad shoulders of certain melodies chansonnier French, but as we go from writing time is well pleasing to the effort of forcing himself to recognize in each groped his expressive figure, the unique identity, even when, inevitably, is mixed with the totems of a present / past so cumbersome: Ghielmetti has a powerful voice, from grain thick as jute, which grate the melodies and words that recall the choking Maier inspired by "The Vif" or the ballad of Tom Waits "Blue Valentine" or Gianmaria Testa of the tribute to iron ("Leo", a great hard!). Sang a solid and straightforward, at times declamatory, which warms the heart as he rummages in the odds and ends of our daily lives:


"(...) But some girls are better
shake before the wind carried them away
throw them a boomerang of love, then come back here to see them

With rest on the bottom was better to pretend
be just a little 'film but ...
sign an implied covenant of love for six hours then
not see you again ... "

(from" Just a step away from the clouds ")


"What a beautiful trains an hour
those who depart from the lake
quelli che partono dal lago
e portano in città
ed ogni volta è come a Santa Claus
arrivano in silenzio e vanno via
ti affidi a orari vecchi
chiedi conferma a tutti
ti sembra strano che passino di qui
senza una voce che li annunci e li saluti
o un vagabondo che ci salti su…”

(Da “I treni di un’ora”)


I pezzi, scritti nel corso degli anni e suonati spesso dal vivo, si perdono in felici suggestioni blues, folk blues, tango, canzoni other times, fado suggest that the image of a universe as personal as accessible, given the expressive power of story telling, authentic passion (perceived listening) for existence.

small masterpiece, even for limited duration, the album feels like a happy balance noise and sounds like a 'classic' right from the start. Thanks also good musicians involved, including in particular a Greg Cohen on bass by impressive resume (Waits, Coleman, ... Newman).

(December 15, 2008)


● The track listing Disc :
1. "Antes que muda el mar"
2. "Those beautiful kisses in Paris"
3. "The grandfather of cornelian Rasouli"
4. "One step from the clouds"
5. "The face of the father"
6. "The trains an hour"
7. "Dr. Charles"
8. "Barbara"
9. "The Amsterdam's red"

● Words and music by Luke Ghielmetti
● Produced by Greg Cohen

Musicians :
Greg Cohen - bass, guitar, harmonium, percussion, marimba;
Cyro Baptista - percussion
Tim Sparks - guitar
Greg Leisz - steel guitar, lap steel, Weissenborn, guitar electrical
Mario Arcari - oboe, clarinet, harmonica, flutes;
Franco Piccolo - accordion Jimmy
Villotti - electric guitar;
Ghielmetti Luca - vocals, guitar, piano, harmonium, Hammond.

● Promotion and Press Office : Carta da Musica – via della Marrana, 94 – 00181 Roma http://www.cartadamusica.it


ALTRI DISCHI DI LUCA GHIELMETTI
“City Record” (LP – fuori catalogo)
“Le corniole di nonno Rasouli” (CD – 1990)
“Dolci spose mancate d’un soffio” (CD – 1998)

Info e contatti
http://www.myspace.com/lucaghielmetti  

Saturday, August 9, 2008

Why Does My Sucker Fish Always Die

Etnoritmo - "Tondomondo" (CD – UDU WWWDTGA 035, Italia 2008)


In 2003, we excluded dall'abbecedario of "Folk Genetically Modified" because, in our humble opinion, he had nothing to folk. Today, as then, and several years after that its ambitious and ambiguous "Sitanafri" which aroused unanimous specialized magazines (including a glowing review for Sergio Palumbo from the pages - incredible to say - of "Folk Bulletin"!), Paul Farina returns with a new album presented as "an album of song writing, singing mostly in dialect, with arrangements that refer not only to ethnic music, especially Southern Italy, del nord Africa e dell'Oriente, ma anche al rock, al reggae, al blues ed all'elettronica" (intervista a Farina di Nicola Morisco, La Gazzetta del Mezzogiorno, 30 aprile 2008).

Ascoltatelo con attenzione: a dispetto delle illustri collaborazioni (Tonino Zurlo, Faraualla, Pino Martini, Giancarlo Parisi, Enrico Capuano, Alessandro Mancuso) e l’uso di campionamenti (“autorizzati”...) DOC (Matteo Salvatore e Enzo del Re), il musicista barese, trapiantato da anni a Milano, imbastisce sonorità con filo scadente e idee risapute, vagolando confuso tra suggestioni etno-world e un desolante, arrendevole disco-pop radiofonico (Jovanotti docet?) nell’evidente tentativo to scratch the wall of self-distrust that keeps him on the fringes of the mainstream music scene (the ones that usually do not attend our heroes, in short).

The equation probably, on this occasion, that the disc is the 'last frontier of world music, "which is now a' free music 'from the constraints of gender that folk, blues, rock, reggae are just tools of the trade to be used casually in the composition of matter to sound "fun", "dancing", "tap your foot", as also prescribe an idea - holographic - popular culture ... All reviews legittime, ci mancherebbe, non fosse che alle nostre orecchie questa musica suona semplicemente brutta, per niente divertente, priva di interesse. A lunghi tratti irritante. Persino pretenziosa.

Brani come “Sto bene con te” (un reggae-pop insipido da abbronzatura estiva), “Sono malato” o “Cudd ca sent” (un occhieggiare insistito al Battisti/Mogol più deteriore), “Le montagne sono alte” (che scimmiotta l’Eugenio Bennato sanremese) – per dire di quelle che ci hanno 'impressionato' di più - siamo convinti facciano male alla musica, contrabbandando l'idea di un progetto di sintesi multiculturale che è solo superficiale, facade, and relies heavily on the conventions that have severely affected the production 'world' of recent years (especially in Italy): enough to involve ethnic music and sing in dialect and you're (in form, composition, harmony, registers. ..)!
saturating a sound space near collapse, as this album confuse most deprived mixing talents only honest musicians, a nonsense dialect poetry in Italian, with a textuality worthy of a newspaper in the country.

"From the Fall" ("Do it and by"), a misguided attempt to capture an effective poetic Daniele Sepe, becomes the paradigm of risks of a political vision on the flat indifference to contemporary bar (that "all politicians are the same "...): preceded by a sampling of Matteo Salvatore, poetic and metaphorical (he says:" The state has always been stranded on the shoals of Eboli, the state is a stone wolf, does not bite because they do not have teeth, but it is the wolf, and the poor southern sheep without a shepherd with problems of food they are afraid "), the text of flour condensation in a few words the most worn-out obviousness of the 'common sense':

"Get the most stupid and do
Mayor foul, foul
mayor for four years

Anche la goccia scava la roccia
scava la roccia, scava la roccia
in tanti anni

Dagli e dagli che si scassa
che si scassa, che si scassa
pure il metallo...”.

Altri testi, più a carattere intimista, descrivono un universo di spensieratezza ed happy hour a noi totalmente estraneo che conferma il carattere ambiguo del progetto, candidato ai palinsesti di Radio Capital o di Radio 105. Da “Sono malato”, ad esempio:

“Miami Beach che caldo che fa
a Miami Beach qui sulla spiaggia
under palm trees sipping my Cuba libre
are an adventure in a film in black and white.

are in Paris with a friend
that "Cherie," he says in a bistro
and together we are Anais and Henry
la vie en rose, en noir et blanc. "

Two questions to finish:
1. How could they allow the use of sampling Matteo Salvatore and Enzo on a disk like the King?
2. Why Paul Farina has sent this CD to us?

(A third - because some of more authors of 'folk genetically modified' active in Italy have felt compelled to collaborate on a similar project? - We will keep for us ...).

(August 9, 2008)

● The tracks on the disc :
1. "I'm fine with you"
2. "Je to stor'j Chess"
3. "I am sick"
4. "Cuddie ca sent"
5. "Fall from the"
6. "The mountains are high"
7. "Giuanni"
8. "Tjmp d c'ros"
9. "Nan c'stè"
10. "Southbound"

● Text and music: Paul Farina
● Art director and production executive: Paul Farina

Info cont acts to indiriizzi :
http : / / www.myspace.com / etnoritmo
http://www.etnoritmo.it

Friday, July 18, 2008

Whatis Proofvests In Arabic

Jessica Lombardi – “In dote” (CD – Radici Music RMR-122, Italia 2007)


Roots Music, Florentine label active few years with productions of absolute value, the first public solo Jessica Lombardi, polistrumentista già membro dei Fiamma Fumana e di numerose collaborazioni con Silvio Trotta, musicista degli storici Musicanti del Piccolo Borgo e, più recentemente, del Trio Tresca.
“In dote”, va detto subito, è un ottimo disco di “folk geneticamente modificato”, nel significato che avevamo cercato di ‘forzare’ con l’omonimo libro del 2003 edito da Stampa Alternativa (da quell’anno, per la verità, di ‘quel’ genere di dischi se ne sono ascoltati davvero pochi…).
I dieci brani, tutti tradizionali e frutto di registrazioni sul campo risalenti agli anni ’60 (erano stati pubblicati da Diego Carpitella nel 1978 con il titolo “Musica contadina dell’aretino”), sono trattati con intelligenza e grande sensibilità da Jessica e assumono un’identità ‘altra’, obliqua, certamente inquietante per i puristi e i depositari del ‘popolare DOC’, ma assolutamente convincenti per noi sia sotto il profilo culturale che dell’ascolto in sé.

Questi antichi canti avuti in dote, come in una eredità che ne commemori la memoria, tornano a vita nuova, si confrontano con il passato in uno slancio dialettico che stimola e provoca criticamente un ripensamento del trito e paludato sguardo al tempo che fu che sovente, proprio in nome di quello, mummifica rather than relive coolly contemplates archiving instead of 'use it'.
More than in the most recent evidence of Fiamma Fumana, Lombardi achieves here a miraculous balance between voices of memory - demure, whispered, slender humble references to stories of ordinary people - and the turmoil of today - the speed, chaos, too much of our contemporary problem: no pairing simple cut-and-paste or simple juxtaposition, but intermingling of sounds, blends, in a happy, wide parts thrilling encounter sensitivity seemingly distant.

"Vanity" the end of the album, the masterpiece for us - the promised land of folk amended still largely to be explored: the yearning melody of the song of Catherine Arrigucci (recorded in Gavignano, Arezzo, May 13, 1965), Lady Jessica builds an accompanying electronic sound that puts chills, a perfect complement to the words that are essential and poetic truth:

"Vanity of vanities
everything is vanity
and death that will
everything is vanity

If field even a hundred years
without penalties and no worries
death to be
everything is vanity

If you could control the land in
sky and the sea
and death that will
everything is vanity "is still

Young, Jessica Lombardi, but has already produced interesting and bold ideas: that this is his early consecration?

(July 18, 2008)


● The tracks on the disc:
1. "Guess what?" (Trad. arr. Lombardi - 3.12)
2. "Dirindina" (trad. arr. Lombardi - 2.43)
3. “Cecilia” (trad. arr. Lombardi - 4.33)
4. “Babbo tornate” (trad. arr. Lombardi - 3.28)
5. “Cara sposa” (trad. arr. Lombardi - 3.39)
6. “Occhi chiari sul mondo” (testo: M. Monina, musica: Lombardi)
7. “Rondinella” (trad. arr. Lombardi - 4.06)
8. “Firapstrocca” (trad. arr. Lombardi - 3.59)
9. “Vanità” (trad. arr. Lombardi - 4.04)
10. “Nonno segnami” (trad. arr. Lombardi - 5.26)

● The group :
Jessica Lombardi - flute, bagpipes Emilia, electronics, percussion, piano and vocals, guitar and bass on "Riddles" and organ on "Dirindina"
Silvio Trotta - guitar, bouzouki and low in all tracks except "Riddles"
Stefano Tartaglia - vocals on "Grandpa let us mark"
Paco Mengozzi - cello in "Dirindina" and "Daddy come back"
Francesco Maria Rossi - narrator in "Eyes light on the world"

● Recorded by Jessica Lombardi at Box Studio Arezzo
Arrangements and artistic production of Jessica Lombardi

Discography Jessica Lombardi :
"Steps towards the North" (CD - MPB003, 2002) - with Silvio Trotta
"Home" (CD - OMM2034 Omnium Recordings, 2003) - Flame Fumana
"Dagda" (CD - Etnicarezzo, 2003) - as Dagda
"Wave!" (CD - Mescal, 2006) - Flame Fumana

(collaboration)
Viulan - "The Night of Valentina" (CD - Warner Bros., 2001)
Flame - "Contact" (CD - Mescal , 2001)
Jewelry and Mario Silvio Trotta - "shooting star" (CD - MPB004, 2002)
Riccardo Marasco - "Bacione in Florence" (CD - 2006)
Dodo Reale - "Les Nations Unies" (CD - 2007)
Banda uproar - "Warning! Output Workers "(Book / CD - infections Cidilibri, 2007)

● Contact Info :
http://www.suoniearmonie.it
info@suoniearmonie.it
http:/ / www.ladyjessicalombardi.com