Saturday, May 30, 2009

Reading Of 999 On Carbon Monoxide Detector

Coltri Mendo Morelli Trio - "El petunia of diàul "(CD - Hard Folkest DF78, Italy 2008)


Sono i dischi come questo a strapazzare quel che resta del folk in Italia. Preso per bene a cazzotti, se mai si rialza, il folk dopo non è più quello di prima.
Coltri, Menduto e Morelli – esperienze disparate e decennali nell’ambito della ricerca (Dissoi Logoi, Tangatamanu per Morelli; Picotage, Calicanto per Coltri...) – ci suggeriscono un percorso alternativo alle trite scampagnate del tradizionale contemporaneo che infect the summer festivals, including a grilled meat, red wine and a tombola.

First, the repertoire: waltz, Alexandrian, mazurkas, mountain songs, songs of mondine - rearranged traditional or newly composed - makes listening a constant surprise even for the expert philologist-recorder with a really unusual taste in the selection . Interesting idea to include a subtext of sound that passes through the disc with five variations of the same mazurka ...

Then, the undoubted mastery of the three musicians who make a compelling interplay of running tracks, tense, essential and non-indulgent virtuosity in Free: a lesson for everyone your hopes of being able to play popular music today merely learn to play an instrument in some courses for a fee.

Finally, what makes the highly original work in the Italian music scene, the idea of \u200b\u200baction, modifying it, turning the pieces of the genetic structure and interpretation with a deliberate, provocative caught crossing into the contemporary, with cleverly played down a dazzling cabaret effect (eg "Variation # 4" flu "to rhythmic coughing (" irreverent? Perhaps, but the air in which we must sooner or later blow out ... ", it 'excuse' notes in the booklet) and make 'hot' recorded live by: dilation of the execution time, the change in instrumental records that eschew the trap of conformity, unprecedented meeting between the tonal tradition (the fife with the bagpipes in central France - musette and Cabretta - Vestal accordion) accompanied by the hand to lose the listener in a compelling soundscape, full of delicious plot twists sound.

It will also be known as the state of the CD about the title (literally "The Devil's fart", a name given in some areas of northern Italy to the dandelion for noise that causes ... blowing in the stem), referring to the volatility della sferetta di polline che come la musica libera esplode in mille direzioni, ma l’ascolto ripetuto di questi pezzi ci convince piuttosto che per quanto apparentemente intellettualistico (la supremazia dell’idea sull’istinto, del progetto sull'improvvisazione…) il suono voluto dal Trio è profondamente dionisiaco.
Ha proprio a che fare col Diavolo, scoregge o meno.

(30 maggio 2009)


I brani del disco :

1. "Variazione #1 "l'improvvisa" (Coltri, Menduto, Morelli)
2. "Valzer n. 45" (trad.)
3. "Rossignolin du bois" (trad.)
4. "Bella nova - Alessandrina in la" (trad.)
5. "Variazione #4 "l'influenzata" (Menduto)
6. "La valse" (Les Négrettes Vertes - arr. Coltri, Menduto, Morelli)
7. "Variazione #2 "l'unisona" (Coltri)
8. "Suite mondine" (trad.)
9. "Variazione #3 "la cupa" (Coltri, Morelli)
10. "Varda la luna" (trad. - arr. Coltri, Menduto, Morelli)
11. "Kathleen parte" (Coltri)
12. "Rat penat" (Morelli, Scarani)
13. "Variazione #5 "l'esotica" (Morelli)
14. "Mazurka" (trad.)

I musicisti del Trio :
Tiziano Menduto - fisarmonica
Gabriele Coltri - musette 16 pollici, musette 14 pollici
Alberto Morelli - piffero

con:
Maria Antonazzo - voce in 3, 4, 8 e 10
Simone Mauri - clarinetto basso in 12
Misteriose maschere carnevalesche - voci in 13 (registrazione di Morelli e Scarani al Carnevale di Cegni del 24 febbraio 2001)

● Registrato in presa diretta nello studio Tangatamanu da Stefano Scarani durante una settimana nella primavera del 2005
Mixato dal Trio Coltri Menduto Morelli e da Stefano Scarani
● Arrangiamenti: Trio Coltri Menduto Morelli
● Produzione: Tangatamanu-Trio Coltri Menduto Morelli
Masterimng: Paolo Siconolfi

La copertina e il logo sono di Caterina Formenti.

Info e contatti :
infotrio@fastwebnet.it
http://www.folkestdischi.com

Monday, May 4, 2009

Sample Chicken Farm Business Plan

Renata Meazza Scaldaferri-Nicola (ed.) -" Heritage sound of Lombardy. Research Archives of Ethnography and Social History "(Book / CD / DVD - Squi [books], Italy 2008 - pp. 184, € 25.00)



Dedicated to the memory of Roberto Leydi, "Heritage sound of Lombardy," reconstructs the unique experience of the Archives of Ethnography and Social History, born in Milan in 1972 to boost the great musicologist, died in 2001 and directed for many years by Bruno Pianta.
The volume collects essays and testimonials from key players in research People (including, Susanna Mantovani, Italo Sordi, Guido Bertolotti), a CD with 42 pieces selected from the archive (of which the first thirty already own edited in 1972 on vinyl in what was the first ever collection of traditional materials Lombard), a DVD with footage of experience and traditions, and a collection of photographs of singers and craftsmen who made history in California (the sisters Bettinelli, Ernest Hall, the family ... Bregoli).

beyond the scope document, itself invaluable and essential (on the intelligent, very valuable work that he committed some years the publisher imbalances), the volume stands out as strumento di riflessione sul destino e, soprattutto, sulla condizione oggi della cultura popolare tradizionale, assumendo l’esperienza lombarda a paradigma della rappresentazione di un universo che, a prima vista, sembrerebbe tramontato per sempre.

Terra di mondine, di lavoro agricolo e di miniera, la Lombardia ha visto agire per decenni come studiosi, ricercatori, promotori personalità di assoluto rilievo quali Roberto Leydi, Gianni Bosio (originario di Acquanegra sul Chiese, in provincia di Mantova), Bruno Pianta, Italo Sordi e personalità straordinarie quali le Sorelle Bettinelli (di Ripalta Nuova), il Gruppo Padano di Piadena, I Giorni Cantati di Calvatone (Cremona), la famiglia Bregoli, il suonatore fife Ernesto Sala ... resulting in a laboratory culture of overtime (in the region to be, for example, Nuovo Canzoniere Italian ... always in Lombardy, the same promoter Mantovani, sing hard and realize the People's Almanac ... Group) in which - as well Bruno Pianta writes in the book - "next to an unexpected persistence of archaic repertoire, vocal and instrumental music in ritual practice, sacred and secular repertoire of tradition coexisted laborers and workers, public lists derived from the performances of singers from the square, repertoires of family members unsuspected richness and practice of oral communication still able to assimilate and "folklorisation" the songs of Sanremo, the smooth Casadei and even some of the catchiest songwriters "(p. 32).

In the book, including essays by timely historical reconstruction of the Archives of Milan and in-depth research on the subject (especially those of plant and exciting Sordi), an especially seems to take responsibility to look to the future, giving the reader a 'working hypothesis on popular materials from the school. The musicologist
Serena Facci, who co-curator of a recent excellent book on the experience of a laboratory of ethnomusicology in the School ("Torre de'Picenardi. A workshop of Ethnomusicology (2003-2004)" Nota 2007), nel saggio “Musica tradizionale della Lombardia a scuola: percorsi didattici” semplifica con alcune chiare proposte come il materiale popolare possa diventare strumento di conoscenza ed espressione nel contemporaneo: partendo da “ascolti ripetuti per la “ricerca del sound perduto””, finalizzata ad “abituarsi” a suoni che oggi non si ascoltano più, Facci suggerisce di utilizzare “i suoni e le musiche come chiave d’accesso a luoghi e storie”, contestualizzando i materiali nei luoghi precisi in cui sono stati raccolti (ad esempio la risaia) per arrivare a comparazioni con altre culture e tempi storici (soprattutto in chiave interculturale). Un’ultima opportunities, according to the researcher, can be represented from the closer "field research" through targeted meetings with witnesses in the world people (researchers, enthusiasts, musicians ...).

only trying to develop new opportunities for reinterpretation of the history and dynamics of the folk tradition gives you a sense of the obscure activities of the many men and women who, before us, have arranged times and places of existence inspired by the values \u200b\u200bof solidarity , participation, community, sharing that today seem to have gone into crisis.

For this reason, we recommend reading this important book especially to those members of the League Lombard who continue to believe the nonsense of Umberto Bossi and gets excited at the sight of pink or icon camuna Alberto da Giussano ...

(May 4, 2009)


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